oh, go for it then

larry lessig wiki
sourced from joi ito.

http://www.washingtonpost.com/wp-dyn/content/article/2007/07/11/AR2007071101996.html

Lucasfilm's Phantom Menace

By Lawrence Lessig
Thursday, July 12, 2007; Page A23

In May, Lucasfilm announced plans to enable fans of the "Star Wars" series to "remix" "Star Wars" video clips with their own creative work. Using an innovative Internet platform called Eyespot, these (re)creators can select video clips or other content and then add images or upload new content, whether images, video or music.

A dark force, however, has influenced Lucasfilm's adoption of Eyespot's technology. A careful reading of Lucasfilm's terms of use show that in exchange for the right to remix Lucasfilm's creativity, the remixer has to give up all rights to what he produces. In particular, the remixer grants to Lucasfilm the "exclusive right" to the remix -- including any commercial rights -- for free. To any content the remixer uploads to the site, he grants to Lucasfilm a perpetual non-exclusive right, again including commercial rights and again for free.

Upload a remix and George Lucas, and only Lucas, is free to include it on his Web site or in his next movie, with no compensation to the creator. You are not even permitted to post it on YouTube. Upload a particularly good image as part of your remix, and Lucas is free to use it commercially with no compensation to the creator. The remixer is allowed to work, but the product of his work is not his. Put in terms appropriately (for Hollywood) over the top: The remixer becomes the sharecropper of the digital age.

i've met pg. wonderful person. he owns part of ssl. now, that, along with ny owning a part of lionel trains, is a boy's wet dream.

i dunno 'bout you, but the klf seems more relevant now. not the music, yer bloody twat, that was all, you know. but the thought behind it. maybe it was all the drugs, who knows. i'd love to have a cuppa with bill drummond though.