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November 14, 2007

Link of the day, 15th November 2007: EMI cash in on Radiohead

http://www.music2dot0.com/archives/82

In a sneaky move by EMI to cash in on Radiohead’s unprecedented popularity, EMI had been running a scam ad campaign on Google until the end of last week, purporting to already have the new Radiohead album “In Rainbows” in boxset and CD versions for sale even before the official release in December. In an attempt to obviously mislead and cheat users, EMI used the phrase “Rainbow” in the ad which appears as a paid listing at the top of search results when users searched for the keyword “Radiohead” in Google.

My friends at Music 2.0 wrote about this in detail. There is also some coverage at NME, which is at;

Radiohead and former label at war
http://www.nme.com/news/radiohead/32491

Radiohead speak out about box set mix-up
http://www.nme.com/news/radiohead/32494

I'm trying to find a suitable comparison for the situation.

Radiohead = That hot girl that everyone wants to date.
EMI = former boyfriend.

Radiohead and EMI ended their long relationship a few years ago and Radihead was out of the party scene during that time. Her ex, EMI used to handle all her parties in the past, all that Radiohead had to do was to think up the content, get the show together, tell EMI about it and EMI executed. For a cost, that is. EMI was running all the fulfillment that Radiohead required.

Granted, EMI helped out Radiohead early on in her party life. EMI named her a "freak" and catapulted her onto the international party/socialite scene. But somehow, in the back of Radiohead's mind, she didn't like the contrived nature of EMI's parties and having to pay a lot of her own money that she made out of being a party to EMI.

So, she was out of the game for a while, thinking about herself, what she wanted in life. She knew she still wanted to party, but this time thought, "Hmm, meibi I can do itz maself".

She thought, "I need to party, dahling" and decides to invite some friends over for a big do. A big get together. She named it "in_rainbows".

Invitations. She sends out the invitations out herself, using a new computer network, called the INTERNETZ. Before, all the invivations were handled by EMI, mostly in the form of a digital disc that had outlined the party and one had to contribute a relatively fixed sum to join the party.

During that time, some of the scenesters were using digital methods of party invivations, that seemed rather interesting to Radiohead. So she thought, she'd try it herself, but instead of enforcing a relatively fixed price, she said "dahling, you can name your own price to my partee". But for those people that wanted the whole presentation, she offered them an extra special invitation that costs more than what an EMI invitation was, but Radiohead promised that it would be "special".

During this time, EMI had to look at all of this from the sidelines, for their relationship was no more.
But, EMI had the old party invivations, indeed, a work of art, but from the past. Hmm, EMI thought to himself.

"Kaching".

Catering. Radiohead wanted EVERYONE to come to the party, so she thought, she should do out the invitations like she always used to do, in the form of a digital disc, that would be widely available in the known capitalist nations.

Previously, Radiohead had to use the catering company that EMI, her former boyfriend runs. With their relationship, Radiohead usually ended up with about 15% of the door, but with a buffer stating that 20% of the door might have broken invivations.

Instead, she sees that can send out the inivtations pretty effectively via the internetz, so she think that the cartering can be aquired locally. There must be enough party lovers out there that can do the same or exceed the quality of work EMI had done for her. And there was.

Radiohead wanted some international cuisine. Whilst she was dating EMI, EMI sorted it all out for her, through the various subsidaries EMI have. But, EMI's services were paid for by Radiohead, at a premium. She partners with a company in America for the bugers and BBQ, a company in Europe for the cheese and wine, and a company in Japan for the sushi. Sounds all rather hunky dory.

What made it even better for her was that she got 50% of the door. Once all the flyers, balloons and other costs were accounted for, her local caterers and Radiohead split the costs, 50/50. There might still be a 20% buffer for broken invitations, but she still got 50%, it was a joint venture, a partnership. And, she didn't have to commit to multiple parties.

Great deal. Wow.

EMI, being the jealous kind, gets a bit cross. For the fact that Radiohead left EMI to lead her own life of independence, and the fact that her new party isn't going to make a dime for EMI. Time to get the old invitations, repackage them, and do EMI's own party, but without the main attraction, the warmth and love that Radiohead brings. Radiohead is a live, warm, blood pumping human being, not just a brand stuck onto the invivations.

EMI decides to throw their own party, but he lied, saying that Radiohead is coming to it, and the party is called "rainbows". EMI put out an ad about the party called "rainbows" on google, the biggest classifed on the internetz.

"in_rainbows"

and

"rainbows"

???????

Those that can't wait to go to Radiohead's party "in_rainbows", does some searching on google classifieds for pictures of Radiohead. What they get instead, is EMI's parrrty "rainbows" which Radiohead ISN'T going to be at.

Hmm.

Some fans, thinking that the old invitations are worth something, decide to buy them. But the old invitations cost a lot. As much as the latest party "in_rainbows" costs. But EMI's party is old, without the main attraction in presence.

Sounds like a thumbs down to me.

Paint the whole world with a rainbow!

It's all done in the best possible taste!

and here's the original. cupid stunt <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3

and on a more serious note, here's a good "current" summary of the waves, as of November, 2007. courtesy of Coolfer.

http://www.coolfer.com/blog/archives/2007/11/what_radioheads_1.php

i say, get the party started.

November 13, 2007

question to self

does art need to be physical?

November 12, 2007

Link for 12th November 2007: PRINCE

just listen.

http://www.princefamsunited.com/

to offer some context, take a look at this website, http://princefansunited.com/

and perhaps read this article;

http://www.rollingstone.com/rockdaily/index.php/2007/11/09/prince-releases-diss-track-as-battle-with-fans-gets-funky/

November 11, 2007

dear radiohead

oh, i'm not going to go on about the album and whatnot.
just a note to say, just checked out some of your radiohead.tv action on stereogum.com. seems rather nice and jolly.

though i do think you need a maggie philbin and a compost corner.
congrats on the liberation from the room and long live kenny everett, cos it's all done in the best possible taste!

from a twerp in tokyo.

November 10, 2007

Link for 11th November 2007: Derek and Clive

notice the labels that were releasing "derek and clive".
good times.

November 8, 2007

Link of the day for 9th November, 2007: the NOVA Saga

so i've been passively following the drama behind the NOVA chain of English schools. why passive? because i have a high command of English and don't need to be concerned of this drama. but it does concern me as a human, how people are suddenly thrown out of the bubble.

i've ALWAYS been skeptical of the "English school boom" in Japan spearheaded by NOVA since the 90's, if my memory serves me correct. they do teach english at junior high and high schools in japan, but does it give results? seems not. does japanese education overall give results? probably not, otherwise "private education" probably would not need to be as popular in japan as it has been, since the 70's?

back to NOVA. i've always thought that they were pretty much the fast food of education, with classrooms nationwide, with the catchphrase "study abroad at a nova class, there's one in front of every station" and it was pretty true.

however, what they were doing was filling every class with foreign visitors with minimal qualification. if you spoke english, not japanese (ie, not looked japanese) and had graduated university, you were pretty much hired. NOVA created their own little bubble community of foreign teachers located nationwide that had very little attachment to local requirements, the context. btw, i'm not saying this is the case for every NOVA teacher, just a bastardization.

what i saw glimpses of were interesting. foreign people complaining about japan and their culture "sucks" in the bars of roppongi, or foreign teachers getting REALLY drunk in the bars of middle of nowhresville japan (i was on your when i saw this) because they did not understand what was happening in the society they were suddenly thrown into. it kind of reminded me of young soldiers sent to war, and turning towards drugs and whatnot, to forget their daily realities.

anyway. articles. links.

http://search.japantimes.co.jp/cgi-bin/nb20071102a1.html
http://www.japanprobe.com/?p=3096

people ask me how i managed to learn english. for me, it was pretty simple. i was curious (even before i went to the uk). i had to (since i moved to the uk as a 7 year old. kids have no choice). i had context (playing football, friends, tv, etc).

is it a big deal? hard to say, since my brain has been hardwired this way since age 7. i do not know of any other through process other than mine. do i know any other languages? apart from the language of love, no. |:-))))))))


"you, NOVA?" ;-)


November 5, 2007

Link for 5th November 2007 Part 2: Motorhead Messiah

"Johnathan Goodwin can get 100 mpg out of a Lincoln Continental, cut emissions by 80%, and double the horsepower. Does the car business have the guts to follow him?"

"Indeed, Goodwin is doing precisely what the big American automakers have always insisted is impossible."


http://www.fastcompany.com/magazine/120/motorhead-messiah.html

I just love this story.

November 4, 2007

Link for 5th November 2007: bluepulse.com

http://bluepulse.com/

it's basically a IM for mobile phones. i read about it somewhere, (here? too many rss feeds!!!!) and have been using it for a week or so, in a very passive manner. but i have 3 friends already, funnily, all from south africa, i think. i don't have my photo on (you can), i don't go on about my music business stuff, i don't say anything, really. then i just got a message from a so called 22 year old woman in south africa asking where i'm at in life. deeeep sheeeet.

it's so out of context from what i usually am, that i think about it. and the answer i gave her was pretty humane. i was surprised myself.

now back to regular programming.

iwozniak going to check out http://www.zooomr.com/, but i don't have a camera on my current phone (i'm a mini malist, babyeee, so why don't you killlllllll meeeeeeeeeeee).

October 31, 2007

ニギー・ターダスト

ニギー・ターダスト
アーティスト直販アルバムの日本語訳(niggytardust-japanese.pdf)をやっちゃってみました。

ご参考までに。
適当に回して下さい。

同じファイルは既にアーティストに渡っています。


Niggy Tardust and the Pigs from Oink, turning Japanese

This, for me, was pretty funny.

http://nymag.com/daily/entertainment/2007/10/trent_reznor_and_saul_williams.html


What do you think about OiNK being shut down?

Trent: I'll admit I had an account there and frequented it quite often. At the end of the day, what made OiNK a great place was that it was like the world's greatest record store. Pretty much anything you could ever imagine, it was there, and it was there in the format you wanted. If OiNK cost anything, I would certainly have paid, but there isn't the equivalent of that in the retail space right now. iTunes kind of feels like Sam Goody to me. I don't feel cool when I go there. I'm tired of seeing John Mayer's face pop up. I feel like I'm being hustled when I visit there, and I don't think their product is that great. DRM, low bit rate, etc. Amazon has potential, but none of them get around the issue of pre-release leaks. And that's what's such a difficult puzzle at the moment. If your favorite band in the world has a leaked record out, do you listen to it or do you not listen to it? People on those boards, they're grateful for the person that uploaded it — they're the hero. They're not stealing it because they're going to make money off of it; they're stealing it because they love the band. I'm not saying that I think OiNK is morally correct, but I do know that it existed because it filled a void of what people want.

I had been exchanging email with a new "virtual" friend of mine, a fellow who is also involved in music commerce. I think my friend is far more grounded than I am!

Anyway. What I wrote to him in my email was:

In reference to the blog post at http://www.demonbaby.com/blog/2007/10/when-pigs-fly-death-of-oink-birth-of.html which I had read before being notified, I said;

I read that oink article a few days ago, very interesting I agree. I wasn't aware it was done by the guy that did NIN art. I knew he had proper perspective.
Oink was great, as I said, all it lacked was monetization. Interestingly, xxxxxxxxxxxxx said he fwd'd my translation of Niggy Tardust over.

Oink wasn't utopia though, it could of have been deeper, there were some bootlegs I was on the lookout for some friends in America, Neil Young stuff. But it had the modern contemporary classics like Steve Reich, etc, it was of quality. But it didn't deny current stuff, I downloaded Fallout Boy just for kicks. Would I buy that stuff? No way. I was skeptical of it at first, but I found myself using it more and more. I obviously knew what I was doing and how much it cost to make those recordings, but I wanted to see from the user perspective, what entices them to act in such ways? With oink, it was simple. Good music, filtered and recommended by knowledgeable people and a members only social filter that didn't allow any mess. SOUNDS LIKE A GOOD OLD RECORD SHOP TO ME! All that imeem stuff pales in comparison to oink.cd, too much frosted sugar coating and no meat. No hardcore. However, I am slightly impressed with imeem, they seem to use a robot/crawler or an intern to scan the blogs and they have checked out my post. The guy running oink.cd probably made no money doing it, it was 100% contribution only. I would of have paid maybe $30 a month subscription or probably $3 to $5 per album if the money went to the artists.

What makes the story even funnier is that having found out about the Niggy Tardust album, it triggered feelings inside of me. So, I translated it into Japanese. Took a few hours. Not one of my best works, but I felt if it had a chance, time was of essence. I know one of the people in the NIN camp, so emailed it over and it is now apparently in the hands of Trent Reznor. I've no idea if they will use it or not, they have their agendas and lives, so I don't really care. What is important is that I agreed to their idea and principle and acted upon it. I even blew off a date to do that (and a date for me is a rare occurence)! If any of you want a copy, here is a download link to niggytardust-japanese.pdf.

October 30, 2007

tomorrow's hits today (??????????)

i was just checking my email. then found this.

ピクチャ 1.png

i have nothing against any of these people, in fact, i think they're all competent singers and entertainers. however, i do find the titles "tomorrow's hits today" and "new music tuesday" very ironic. is this what is left? surely not.

seems like recommendation algorithm/engine rehash time! dear itunes, why don't you hire a music editor to proof read this stuff before it goes out? surely there are qualified people abound.

http://www.vbs.tv/

http://www.vbs.tv/, Vice Magazine's internet TV station. I think this is great, it actually gives content with context. Take this interview with Mark E. smith for example. He's alive and it not some intello-jello making muso journo asking the same old bs. He's laughing, he's engaged, he wants to talk.

http://www.imeem.com/

my main computer, an apple macbookpro, joined a wet t-shirt contest and won. she found a hunk of a man and took off with him. so while i try to get her back, i am back with my old lover, powerbook. powerbook is a hot bird, she gives me burns when i type her on the bed. she's a little slow, but her keystrokes are a more solid feel.

anyway. been checking out http://www.imeem.com/. is it just me, or do these websites always have the same "schtick" on playlists and genere classification and whatnot? ie, don't they all seem very shallow?

i can understand that if you're aged between 10 to 20, your musical tastes being narrow. i can understand that this is probably the (shrinking?) age group that the marketeers want to dominate. but what about me? almost 40, but still interested in finding new music. do i have to keep on stumbling upon website after website? isn't the world going to be flat? i like modest mouse "dashboard", fuck, they're friends of mine. major namedropping aktion! but when you reach a conversant level with music, if you heard a song twice, you kind of build a database of the structure and you want to move on to something else.

or what about older music? don't people want to know what inspired whoever to come up with whatever song? or where they got the idea, or oftentimes, plain ripped it off? the art is in making your references vague, referencing happens all the time. it's a statement of respect and compliment.

i want a panic/surprise button.

applestore genius bar, you better fix my keyboard on the spot tomorrow. otherwise i ain't buying that leopard skin swimsuit. ooh, just gave me the horn thinking about that. build my own midgets.

Brian Eno - Music For Airports Interview

October 26, 2007

Quite Interesting

I've thought about it and have my own set of conclusions. Some are pretty solid, some graduate slightly. But they are opinions nonetheless and by having a thought process, my thoughts are mine. Collected and derived from other sources and wonderful coaches I have found, but via exercise, they become mine, not yours or a copy. I've had enough of copy copy copy. Deconstruct it, get rid of the ego. Scream if you have to.

Think for yourself.

googleは日本発はあり得ない?

■技術とイノベーション 2007-10-17 7:29:00 by yousmz

ある知り合いと久しぶりにあっていろんな話をした中の一つです。

Googleがどんどんすごいことになっていますよね。
新しい技術を研究して、それを無料サービスとして公開する。


広告で成り立っている企業とはいえ、このスピードはすごいですよね。

日本でも最近多くのサービスが立ち上がり、それによって多くの企業が成長しています。

しかし根本的なな違いがあります。

日本ででてくる新しいサービスは「米国ですでにある」ものだということです。

要するに、「コピー」+αでしかないということですね。

もちろんGoogleも検索エンジンという考え方は「コピー」になるかもしれませんが、サービス全体を捉えた時のビジネスモデルがこれまでにない斬新なものだったということだと思います。

このようなサービスは日本では生まれていない。

ここに大きな理由があります。
日本企業の風土です。

日本の企業はこれまで築き上げたものを成長させるような仕組みを考えるのは得意ですし、そういう形態を守る傾向にあります。
これが悪いということではなく、このために、新しい形のサービスや商品がでてくることに抵抗を持っている企業も多いということです。

大企業であれば、そういうサービスが現れたと同時に何かするというよりは、様子をみてそろそろというときに同様のサービスを、お金と人の力であっという間に立ち上げます。

でも、世界にもないような本当に新しいサービスがでてくることはほぼないです。

なぜでしょうか。
それは、日本の企業風土として、「これまでのものを壊す」ようなものを良しとしない傾向にあるからです。

新しいサービスを嫌うというよりは、大きな変革を好まないという方がいいかもしれません。

別にこれまでにないものを作りだすということではなく、これまでのサービスに新しい技術や考えを取り入れて新しいものを生み出すことがなかなかできないというのが正しいかもしれません。


ベンチャーキャピタルやエンジェルも同じです。
日本の投資風土は、「ある程度見込みがでてきたら投資」です。
正直これは投資ではなく融資と変わりません。
立ち上げ時期、俗にいうアーリーステージでのリスクまで負った形の資金援助がベンチャーには必要です。
でも日本の投資家はこの時期のリスクを負わない。
というより、アイデアは認めても、それをビジネスにするための支援はできないのかもしれません。

ところが米国の投資家は、アーリーステージから資金援助を確実に行うことが多い。
正直、Googleもそうです。
二人の学生がビジネスにできたはずはなく、そこに目をつけた投資家がビジネス化も含めアーリーステージで支援したことがとても大きいと思います。

こういう企業風土の違いで、現在の社会に影響をもたらすような変化を起こすビジネスは日本では立ち上げにくいんだと思います。


日本も少しずつかわってきていますが、今の時代スピードが命。
たった数日、いや数時間決断が遅れただけでそのサービスは他の企業で立ち上がってしまうかもしれません。

Googleのような斬新なサービスが日本発になるのはいつの日でしょうか。